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Epiphone Madrid EC-30 Classical guitar

Posted: Fri May 28, 2010 1:07 pm
by KRamone27
I found one of these in a local shop for a really cheap price but want to know if it's actually worth something. It's made in Kalamazoo, MI, has a solid spruce top solid mahogany back and sides, rosewood bridge everything appears to be original and in decent shape. Has the typical gibson style headstock with serial number stamped in the back. The rosette around the sound hole is flaking of a little. Should I jump on it?

Re: Epiphone Madrid EC-30 Classical guitar

Posted: Fri May 28, 2010 1:54 pm
by Sarah93003

Re: Epiphone Madrid EC-30 Classical guitar

Posted: Fri May 28, 2010 5:04 pm
by KRamone27
Just like that. If I buy the one locally and sell it for half of what Gary's classic guitars is selling theirs then I'll have $200.00 profit.

Re: Epiphone Madrid EC-30 Classical guitar

Posted: Tue Jun 01, 2010 12:40 pm
by KRamone27
I bought the darn thing now I just need some info. I went to a guitar dating page and entered the serial number and told me that it was a 1967 model made at the Kalamazoo plant. Here she is:
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Re: Epiphone Madrid EC-30 Classical guitar

Posted: Tue Jun 01, 2010 1:13 pm
by Sarah93003
You might have luck on the Gibson Forum.

Re: Epiphone Madrid EC-30 Classical guitar

Posted: Tue Jun 08, 2010 4:42 pm
by KRamone27
Well the thing sold on ebay, it sold for $67.00 so my profit is $57.00. Now I might be able to buy tolex covering. :D

Re: Epiphone Madrid EC-30 Classical guitar

Posted: Tue Jun 08, 2010 5:27 pm
by oipunkguy
cool, this is just like the classical a friend of mine had when we were in high school down to the zero fret that doesn't do anything.

Re: Epiphone Madrid EC-30 Classical guitar

Posted: Wed Jun 09, 2010 3:01 pm
by brutus
I thought the zero fret was for lowering the string height negating the string guide/nut height. The main reason Mosrites have such great action.

Re: Epiphone Madrid EC-30 Classical guitar

Posted: Thu Jun 10, 2010 11:23 pm
by oipunkguy
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Re: Epiphone Madrid EC-30 Classical guitar

Posted: Fri Jun 11, 2010 5:49 am
by Sarah93003
brutus wrote:I thought the zero fret was for lowering the string height negating the string guide/nut height. The main reason Mosrites have such great action.


I think that is correct. The zero fret negates having a nut which requires adjustment for string height and utilizes a string guide instead. I think the other benefit is that all strings are contacting the same material in open chords which is believed to enhance the tone. A side benefit from a production standpoint is that you do not have to invest labor in adjusting a nut when you use a string guide.

Personally I like zero frets and I think they enhance action all the way down the neck. It is probably a personal choice. In every forum I frequent I see a debate on this subject. Obviously Semie liked them.