
Hallmark 60's Custom
- 101Volts
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Re: Hallmark 60's Custom
These are some fine Hallmarks. The custom one is so smooth and fine and the gold one is an oddball but it has an unusual appeal. 

1966 Ventures II (German Carved, B670.)
1970s "Not a Blues Bender" Bodies: 2.
1976 Brass Rail Deluxe #10.
2013 Fender Pawn Shop Bass VI.
1970s "Not a Blues Bender" Bodies: 2.
1976 Brass Rail Deluxe #10.
2013 Fender Pawn Shop Bass VI.
- sleeperNY
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Re: Hallmark 60's Custom
This is the last pic my daughter just took of my Hallmark 60 Custom first run. Also my PartsRight Mosrite.
Jim


Jim
Gretsch-6122-58
Gretsch-6122-59
Gretsch-6120-vs-55
NOS Partsright Mosrite by Jim
Hallmark 60 Custom
Fender Twin Custom 15 Fender Tone Master Twin
Fender Bassman 59 LTD
Peavey Delta Blues
Korg AX3000G
Gretsch-6122-59
Gretsch-6120-vs-55
NOS Partsright Mosrite by Jim
Hallmark 60 Custom
Fender Twin Custom 15 Fender Tone Master Twin
Fender Bassman 59 LTD
Peavey Delta Blues
Korg AX3000G
- dubtrub
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- Dennisthe Menace
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Re: Hallmark 60's Custom
Jim,
Those are GORGEOUS Guitars! What does HALLMARK call their Metal Flake Cherry Sunburst? I LOVE that!
Those are GORGEOUS Guitars! What does HALLMARK call their Metal Flake Cherry Sunburst? I LOVE that!

make the Mos' of it, choose the 'rite stuff.
.........Owner of 9 Mosrites...
.....proud owner and documented:
1963 "the Ventures" Model s/n #0038
http://www.thevintagerockproject.com/
.........Owner of 9 Mosrites...
.....proud owner and documented:
1963 "the Ventures" Model s/n #0038
http://www.thevintagerockproject.com/
- gplayer
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Re: Hallmark 60's Custom
Dennisthe Menace wrote:Jim,
Those are GORGEOUS Guitars! What does HALLMARK call their Metal Flake Cherry Sunburst? I LOVE that!
Fire Sparkle Burst
- sleeperNY
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Re: Hallmark 60's Custom
Yes gpllayer is correct. I just can't say enough good things about that guitar. It plays great. If you look you can see that IO have shortened the tremolo arm some. I am used to playing my Gretsch guitars with the fixed Chet arm right under my fingers. I have thought about doing it to Mosrite but haven't been able to bring myself to do it yet.
Jim
Jim
Gretsch-6122-58
Gretsch-6122-59
Gretsch-6120-vs-55
NOS Partsright Mosrite by Jim
Hallmark 60 Custom
Fender Twin Custom 15 Fender Tone Master Twin
Fender Bassman 59 LTD
Peavey Delta Blues
Korg AX3000G
Gretsch-6122-59
Gretsch-6120-vs-55
NOS Partsright Mosrite by Jim
Hallmark 60 Custom
Fender Twin Custom 15 Fender Tone Master Twin
Fender Bassman 59 LTD
Peavey Delta Blues
Korg AX3000G
- JimPage
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Re: Hallmark 60's Custom
Hey--
I was over at Hallmark a couple of days ago and Bob let me play one of those fire-sparkle bursts. Man, JIMMY WANTS!!!
What a swell guitar. The fit and finish are just stunning. Someone mentioned in an old post that Bob and John are somewhat like the way Mosrite once was in having a small shop that did a lot of different things well. I have been trying to read all the posts on this forum in the last few weeks, as it is so great, but I sometimes can't remember exactly WHERE I read WHAT.
Point I want to make is that Bob and John have a rightous knowledge of Mosrites and Bob seriously holds his manufacturing partners feet to the fire when it comes to quality. Maybe that is where a small shop can do better than a big corporation.
I may not be the best git-fiddle player in the world but, like my dad used to say about his planes, when it looks right it is right. Bob's guitars are just as clean as a whistle and as straight as a board and he knows just what he is trying to achieve.
Now, I am trying to convince him to document a resurection from the dead of a rare guitar for me. I want to take the photos of Bob at work. I will say no more about it right now, except this is another guitar that JIMMY WANTS.
I got to stop hanging around this Shade guy. My wife is going to give me the skunk eye and she is counting the hardshell cases.
--Jim
I was over at Hallmark a couple of days ago and Bob let me play one of those fire-sparkle bursts. Man, JIMMY WANTS!!!
What a swell guitar. The fit and finish are just stunning. Someone mentioned in an old post that Bob and John are somewhat like the way Mosrite once was in having a small shop that did a lot of different things well. I have been trying to read all the posts on this forum in the last few weeks, as it is so great, but I sometimes can't remember exactly WHERE I read WHAT.
Point I want to make is that Bob and John have a rightous knowledge of Mosrites and Bob seriously holds his manufacturing partners feet to the fire when it comes to quality. Maybe that is where a small shop can do better than a big corporation.
I may not be the best git-fiddle player in the world but, like my dad used to say about his planes, when it looks right it is right. Bob's guitars are just as clean as a whistle and as straight as a board and he knows just what he is trying to achieve.
Now, I am trying to convince him to document a resurection from the dead of a rare guitar for me. I want to take the photos of Bob at work. I will say no more about it right now, except this is another guitar that JIMMY WANTS.
I got to stop hanging around this Shade guy. My wife is going to give me the skunk eye and she is counting the hardshell cases.
--Jim
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Re: Hallmark 60's Custom
Hey, Where is Hallmark located? Just wondering where they are made, I don't think I read where they were made before.
1966 Ventures II (German Carved, B670.)
1970s "Not a Blues Bender" Bodies: 2.
1976 Brass Rail Deluxe #10.
2013 Fender Pawn Shop Bass VI.
1970s "Not a Blues Bender" Bodies: 2.
1976 Brass Rail Deluxe #10.
2013 Fender Pawn Shop Bass VI.
- GattonFan
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Re: Hallmark 60's Custom
Maryland (Greenbelt??) - But I think the production models are done in Korea - maybe by Samick?
So many guitars; So little time ..
- JimPage
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Re: Hallmark 60's Custom
Hey--
GattonFan is correct in his identification of the city. There have been several electric guitar companies over the years in this area: Kapa Guitars, back in the 1960s, were made less than a mile from my home in Hyattsville, and Microfrets were made in Maryland, too.
Kapas were made by the owner of Veneman's Music (later bought out by Guitar Center), which had a Virginia and Maryland store back in the day. When I first came up to this area, in the mid-1980s, Veneman's house brand was called Bradley, and they were Fenderish instruments made in Japan. Their acoustic guitars were MIJ Martin knockoffs called Nagoyas, and I had a Bradley Jazz bass and a Nagoya 12-string. Both were rather good instruments for their time.
Never saw an original Microfrets, but I hear that they have been recently reborn as a Maryland company. And, of course, there is Paul Reed Smith up near Baltimore.
There are a slough of very good acoustic guitar builders in this area. Steve Carmody, in Silver Spring, Maryland, makes some wonderful ragtime/blues acoustics. Virginia has a lot of great acoustic makers; Huss and Dalton's are wonderful instruments, and Marty Fair and Stuart Orser, in Purcellville, have started Fairbuilt Guitars, which are tone monsters.
Yes; so many guitars; so little time is RIGHT!!! I do believe we are living in a golden age of guitar builders. And that's the way I like it.
--Jim
GattonFan is correct in his identification of the city. There have been several electric guitar companies over the years in this area: Kapa Guitars, back in the 1960s, were made less than a mile from my home in Hyattsville, and Microfrets were made in Maryland, too.
Kapas were made by the owner of Veneman's Music (later bought out by Guitar Center), which had a Virginia and Maryland store back in the day. When I first came up to this area, in the mid-1980s, Veneman's house brand was called Bradley, and they were Fenderish instruments made in Japan. Their acoustic guitars were MIJ Martin knockoffs called Nagoyas, and I had a Bradley Jazz bass and a Nagoya 12-string. Both were rather good instruments for their time.
Never saw an original Microfrets, but I hear that they have been recently reborn as a Maryland company. And, of course, there is Paul Reed Smith up near Baltimore.
There are a slough of very good acoustic guitar builders in this area. Steve Carmody, in Silver Spring, Maryland, makes some wonderful ragtime/blues acoustics. Virginia has a lot of great acoustic makers; Huss and Dalton's are wonderful instruments, and Marty Fair and Stuart Orser, in Purcellville, have started Fairbuilt Guitars, which are tone monsters.
Yes; so many guitars; so little time is RIGHT!!! I do believe we are living in a golden age of guitar builders. And that's the way I like it.
--Jim
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